The Arts Council’s new report on opera is patronising and snide
The new 115-page document on funding opera and music theatre proves the organisation has lost its way
The new 115-page document on funding opera and music theatre proves the organisation has lost its way
Training documents told staff to replace words such as 'gentleman' with 'someone' and to avoid using the term 'guys'
As he prepares to play Bottom at the RSC, the Ghosts star talks about why making comedy in the UK is no laughing matter
As he prepares to tackle King Lear at the Almeida, the actor talks about casting, Shakespeare and mortality
This touring production radiates old-school classiness, with Fiennes powerfully leading from the front
88-year-old actress, who starred alongside actor in James Bond, joked her phone is ‘anathema’ and she ‘doesn't know what buttons are for’
The RSC's adaptation of this mystical adventure won't set the world on fire – but it will leave young and old alike feeling pleasingly giddy
On the 400th anniversary of its publication, the former RSC artistic director reveals his remarkable globe-trotting mission
Killing Eve star says Bard’s plays mirror hierarchy of his day with women seldom centre stage and given roles that are subordinate to men
Although she called their marriage ‘a long battlefield’, as an actress it gave her ‘focus and freedom’, and they often worked together
The versatile Windsors star, who has died aged just 66, realised the only genre more serious than drama was comedy. She excelled at both
At 88, the great actress opens up about her favourite roles, and why Portia is 'an a---hole', in Shakespeare: The Man who Pays the Rent
Mirren transformed herself into Israel’s first female leader – who faced down an invasion which, as today, caught her country off-guard
The actress talks about the BBC spin-off of the Bafta-nominated film and why she’s finally happy to talk to The Telegraph – with one proviso
Stepping down after 30 years at the company, the general director talks about the art form's constant uphill struggles – and his next move
Within 10 years he had restored it to the commanding heights of British theatre, and (thanks to the smash hit Matilda musical) back in funds
Tanika Gupta’s tale of British-Indian relations during Empire is fascinating on paper but suffers from a broad-brushstroke approach
At an event to mark the First Folio’s anniversary, Charles III is said to annotate his copies of the Bard’s works, just like Charles I
Resonant of voice, authoritative of manner and with a sturdy physical presence, he was as useful in tragedy as in farce
There’s very little to make you laugh across the Bard’s canon – so what's wrong with the occasional bit of rewriting?
The RSC’s conceit takes time to beguile, but fresh humour and poignancy emerge in this commendable take on Shakespeare’s comedy
Artistic director urges the search for his successor – or successors – to be 'broad and inclusive'
She rose to prominence with the Royal Shakespeare Company and her ‘rich, mighty contralto’ was ‘one of the great voices of the theatre’